top of page

Repertoire

BIZET-Carmen-Mercedes

GLUCK-Orphée et Eurydice-Orphée

OFFENBACH-Les Contes d'Hoffmann-Nicklausse

PURCELL-Dido &Aeneas-Dido

ROSSINI-Cenrentola-Angelina

STRAUSS-Die Fledermaus-Orlofsky

 

Biography

Floriane Hasler began her musical studies by learning to play horn, before to join the paris Notre Dame children's Choir and the Paris Conservatoire National Supérieur de Musique et de Danse with Chantal Mathias.

She attended the Masterclass of Barbara Hannigan and joins the Opera Fuoco studio conducted by David Stern

On stage, she sang the 3rd Grace (Rossi’s Orfeo) under Raphaël Pichon’s baton at the Versailles Opera; The Bordeaux National Opera and at the Caen Theater, Diane (Antonio Lotti’s Giove in Argo) under Leonardo García Alarcón’s baton, Didone and Volupia (Cavalli’s Egisto) at the Versailles Opera with Vincent Dumestre, Orlofsky (Die Fledermaus) at the Paris Philharmonie, Orphée (Gluck’s Orphée et Eurydice) in Tourcoing and in Paris Athénée Theater, Enrico (Elisabetta Regina d'Inghilterra) at the Marseille Opera, Bellone (Charpentier's Médée) at the Paris Théâtre des Champs Elysées, Mercedes (Carmen) at the Rouen and the Théâtre des Champs-Elysées .

 

In Concert, she sang Bach Cantatas BWV 3 & BWV 106 under Masaaki Suzuki and Stephan MacLeod’s baton, Bach’s Magnificat with Marzena Diakun and Philippe Pierlot and the Johannes Passion with Simon Proust.

 

Among her recordings, the part of Proserpine (MA Charpentier’s La Descente d'Orphée aux Enfers) with l'Ensemble Desmarest (Ronan Khalil) for Glossa, La Troisième Prêtresse de l'Amour (J.P Rameau’s Achante et Céphise) with Les Ambassadeurs (Alexis Kossenko) for Warner Classics

 

She is currently preparing to play  Angelina (Cenerentola) at the Toulouse Capitole, Mercedes (Carmen) at  the Teatro San Carlo of Napoli, , Dejanira (Hercules) in Massy, La Messaggera (Orfeo) at the Versailles Opera, (Les Contes d'Hoffmann) at the Opéra National du Rhin and in Reims ...

bottom of page