Born in Romania, after piano studying piano, Emanuela Pascu began her lyrical studies at the Bucharest National Music University where she was graduated with a Master of Music in Voice Performance. She improved her vocal technique with Corneliu Fanatean. Since 2015, she is a member of the Académie of the Paris National Opera.
Prize winner in several national and international competitions, she was awarded, among others, with the Special Jury Awards at the “Masters of Lyrical Art” Competition at the Bucharest National Opera and the Audience Prize at the International Singing Competition of Bordeaux-Médoc in 2016.
With the National University of Bucharest, she performed the roles of Didon (Dido & Aeneas), Rosina (Il Barbiere di Siviglia) as well as Ruggiero (Alcina). Then, she made her debut on the stage of the Bucharest National Opera in the title-role of Carmen and then, she has sung on this same stage the roles of Romeo (I Capuleti e I Montecchi), Zerlina (Don Giovanni) and Filipievna (Eugène Oneguine).
More recently, she has performed the roles of la Messagiera (Orfeo) and Marianna (Il Signor Bruschino) with the Académie of the Paris National Opera, as well as the ones of une Femme Grecque and la Seconde Prêtresse (Iphigénie en Tauride) at the Paris National Opera. In concert, she has sung Midsummer Night’s Dream under Fayçal Karoui’s baton in Pau, la Dama di Lady Macbeth (Macbeth) at the Théâtre du Capitole in Toulouse, Carmen in Bucarest and the title-role of Hérodiade at the Saint-Etienne Opera, the second Nymph (Rusalka) and Laura (Iolanta) at the Paris National Opera, the part Maddalena (Rigoletto) at the Savonlinna Festival, La Damoiselle Elue athe the Paris Radio France Auditorium, the Comtessa and Madelon (Andrea Chenier) in Nice, Olga (Eugen Oneguin) in Marseille.
Her projects include, Mrs Doc (Quiet Place) at the Paris National Opera, Fenena (Nabucco) in Nice, Gertrude (Hamlet) in Saint-Etienne...
GIORDANO-Andrea Chenier-La Comtesse/Madelon
TCHAIKOVSKI-Dame de Pique-Polina